What “Idol” has done to the music industry

Our popular music industry is now at such a low-ebb that the major focus is on mainstream/crossover shows such as American Idol, leaving true original talent to only be marketed via independent music companies or by self promotion on the web.

The nature of these shows goes against any original ideas or artist development. Judges and therefore music producers are only looking for a short term quick buck, instantly marketable to masses, in a music style that in past decades was called “bubble gum” music.

Imagine serious heavy weight artists (before they were famous) going on to American idol…..

For Example:

Jimi Hendrix performing “Purple Haze”….

Randy (What’s up dog) Jackson would say…

“Dude, listen up. Ok man what are you doin’, dog? I don’t know, I don’t know. Pitchy! Pitchy! Pitchy! Lose the guitar. It wasn’t good for me man. I didn’t get it.”

Ellen (And my last hit single was?) Degeneres would say….

“Okay that was pretty good but maybe you should smile a little more. And I really think you should clean yourself up a little, sweetie. You know get a haircut, have a shave and sober up. The show was good though, I really like what you can do with your teeth.”

Cara (I can sing better than you) DioGuardi says…

“I have to agree with Randy the pitch was all over the place. What are you doing? I’m sorry but I see you more in a Jack Johnson vein. You should listen to him. And you don’t need that guitar…guitar solos are sooooo yesterday. But I like you; you seem like a nice guy.”

Simon (I am making so much money out of this show) Cowell says …

“I have to say that this was just self indulgent rubbish. I’m sorry it’s a fact. You are not a rock star my friend and shouldn’t act like one. Do you really think you can sing? Come on, you’re kidding yourself and wasting my time. This is nothing like what I want … I mean record producers today are looking for. You will never get anywhere and never be anything. People don’t want to hear music like that. I am sorry but that’s a fact. No one is interested in your music but I guess you’re not good enough to cover a song. Sorry.”

 As long as shows like this are our main source of popular music, good original music and artists with a fresh approach will never get the attention they deserve when the main criteria for success is sounding like someone else, looking good and being demographically acceptable on TV.

It seems talent is not an issue anymore, only how much money the record companies and television industry make from an artist. And let me tell you they are making an absolute fortune from American Idol.

Thank God we didn’t have American Idol in sixties, seventies or eighties then we may never have heard of people like Kurt Cobain, Jimi Hendrix, Eric Clapton, Sammy Hagar, Phil Lynnott, Neil Young, Ted Nugent and other rock legends.

Could you imagine what the judges would say to Bob Dylan if he appeared on American Idol?

 Illy

Its not what you play, its how you play it.

There are lots of ways to make guitar solos. Most guitarists focus on what to play versus how to play things. Fact is, the nuances of phrasing (how the notes are played) often matter MORE than the notes we actually play. How many times have you heard someone play a solo without much emotion? Often there was nothing wrong with their choice of notes. The solo lacked emotion and interest because the phrasing was weak.

Guitar Phrasing is the most important aspect to creating great guitar solos, yet very few guitar players learn to develop this key element of their guitar playing.

One of the best things you can do to make better guitar solos is to carefully study your favorite singers. In the late 1990s, I began to study the vocal styles of my favorite singers. I learned to play on guitar every little nuance of their vocal phrasing and vibrato and most importantly, the musical contexts in which they made various phrasing and vibrato choices when singing. Singers cannot do many of things that we can do on the guitar, but they can naturally and effortlessly do things that are not common (but are still possible) to do on the guitar.

Listen to your favorite singers and notice the difference between their vocal phrasing (how they sing notes and phrases) and your guitar phrasing (how you play your notes and phrases). Then listen carefully to how these singers construct their phrases and compare that to how you create your guitar solos. When you really pay attention to this, you will probably make some very cool and powerful observations. This can be one of the best guitar solo lessons you can ever have. It can be a real eye (and ear) opening experience that can lead you to discover MANY new ideas that you can use to make your own great guitar solos.

Here are three things you can learn and implement into your playing immediately so that you can consistently make better guitar solos.

Delayed Vibrato: Listen to how many singers sing a note (without vibrato at first) and then begin to apply vibrato to it a few moments later. The vast majority of guitar players don’t do this when soloing; instead they apply the vibrato immediately to the note. Although this can also sound good, it gets old to always immediately apply vibrato when you use it. So play a note on your guitar, let it ring out naturally (without vibrato) for a moment, then apply vibrato to it. In addition to creating a more vocal style of guitar playing you may also notice that the note you just played sustains longer. (more on this in the video below).

Movement between notes: As you know, when playing notes on a piano there is no ability to bend notes. Singers frequently bend notes in both directions (up or down in pitch), although downward bent notes are more common in most vocal styles. Guitar players frequently bend notes, but 99% of the time they only bend notes up (in pitch).
(more on this in the video below).

Intuitive Emotional Expression: Singers often manipulate tension and dissonance intuitively. They might sing the 9th of a chord because it makes a very specific emotional feeling. Most (non jazz) guitar players would naturally play the root while making a guitar solo (especially at the end of a phrase). This happens because guitar players typically are thinking about patterns and scale positions. And thus the ear is conditioned to find the consonant notes when beginning and ending phrases while creating (or improvising) guitar solos. Singers don’t have patterns and positions to think about. They are only focused on their intuition - the emotion of each note they sing. This results in more natural options for the singer (compared to many inexperienced guitar players) particularly at the beginnings and endings of phrases.

Watch the video below to see exactly what I’m talking about and hear a live demonstration of each.

Tom Hess is a professional guitarist and teaches electric guitar lessons online. To get more help with your guitar playing check out my 10 Free Guitar Solo Tips.